Sea Green

Ephemera etc.

Sunday, February 26, 2006

clouds and sunday musings

Eccstatic clouds up here today, right now - lit up amazingly.
So, last week, turned 30 (as did Aunty B who is hanging in groovy Rio for carnivale) - oooh... actually no big deal, the day arrived and then slid away, lubricated with cake from my fave bakery, well wishes and towards the end, nice red wine and great dinner with friends. Did not succumb to wrinkle cream (thanks Betty Sue for reassurance and reality check!), and suspect I wont be tempted again. Kind of amusingly think that someone out here should be going au naturale just to balance the hysteria around ageing in our culture, not to mention the delusional faith in the cosmetic industry to actually be more than hopes and fears in a jar. So that's me. Mind you, have started wearing liquid eyeliner ago go the last few weeks - so apparently I don't mind using the colouring-in pencils kind of cosmetics stuff. Suspect the liquid eyelines is some barely subconscious gesture of sexy gypsy expressiveness in the face of recent return to 925 office world. Something about all that quiet tasteful office furniture just makes me want to get loud and louche, wear jingly accessories and fishnets, too much eye makeup and unbrushed hair, sing very loudly at my desk, and tell crude jokes at the lunch table. I call it an appropriate balancing of the corporate culture. Others might call it loopy. Fortunately (for my coworkers, for my employment status) I don't act out on every impulse, maybe just a few at a time, in homeopathically small measures.

Very much enjoying a quiet weekend at home. Tidying up and making a mess again.
Hanging out with the cat. Did some ironing (had to iron some of my prints, so though what the hey, do the clothes as well). Was very satisfying and now have neat row of funky tops for next week. Have ink up my arm from painting stint.

Yesterday went all Mrs Dalloway* (except that my day ended differently to hers!) and strolled around town saying hi to people I bumped into at the supermarket and on the main street. Tried to soak up a week's worth of slow wandering vibe and of connecting with where I live and of enjoying the sky while a storm rolled in. Yes, you can see the transition to full time work is not going seamlessly here!! A diferent pace, very different experience.

This week will be a busy one- as well as day job I have two clases to give in the evenings. First is the 4th week in the 8 wk evening college course I'm doing in printmaking. This one is going really well, last week we had heaps of fun, and just yesterday I organised for a space for the students to put their fave pieces of work up on display for a week. Plus the class is reallly getting into my 'experimental' groove and enjoyed some of the techniques I shared with them last time, even ones I've made up myself. They don't even seem to care that I haven't really exhibited and don't have any actual qualifications in art.

The other one is the first in a series of 2 wkshops on printmaking for a community cultural development project linked to some local environmental issues / themes, and an iconic local species - the Giant Dragonfly. That one will be interesting as will be working with mad keen bush regenerators and local activists. We will be tying in environmental info with basic printmaking techniques, and working towards working with wood, and printing on fabric. We plan to make prayer flags and display them around town at times that are significant for the life cycle of the dragonfly, which is actually endangered, and very vulnerable to any changes to groundwater / clearing of hanging swamps. Fortunately am distracted by new project at work which landed on my lap Friday and the very act of getting there sometime before lunchtime each day, so do not have inclination or extra energy to fret about the new printmaking wkshop and the fact that it is new ground for me - instead will just have it appear, and let it be a happy surprise.

Feel reallly glad that I am finding ways to tie together some of my areas of interest in a way that earns money and other people think make sense. The whole science and art thing sometimes feel like two estranged relatives - like I keep in contact with them both but they don't speak to each other. Like I have to stick up for each of them to the other, like I can't enjoy both of their company in the same place at the same time. Of course I am feeling anxious about the new job because it is so greedy of my time and so 'head' - the head part I actually love, and nerdily dream of publishing papers and making little diagrams to describe theory, but I also see taking away time from my more 'heart' pursuits. And as ever, I wonder about my authentic voice, and whether I am doing the day job because it is what I want to do (and want to do more than anything else) or whether it is doing something safe and useful which means I don't have to deal with the fact that maybe I might be a dreamer and want to do something really inward and quiet and private as a living. The day job might be just progressive enough to let me pretend I'm not really doing it for a steady income and superannuation and paid holiday leave and a good coffee machine - and predictability, stability, respectability. People** are so satisfied to hear that you are working in a consultancy, or in research - yes, all very above board and understandable, very responsible to work full time and do all the other responsible, sensible things that go with that. This career which lets me be 'taken seriously', allows me to have opinion which is validated by position and experience, to be seen as credible and worldly and clever.

But me? Am I happy to settle in to a career that is like a sensible joining of the dots of past and future? I almost do it as a ruse, as a blanket covering two chairs to make a cubby houseunderneath for me to hide in and have a private self. This is what my day job is for me - both something in and of itself, and also a disguise. But what if the disguise is so big and lumbering and takes so much energy to maintain that there is no time to play in the cubby house made from its frame? What then was the point?

Had a rich and gratifying conversation early one morning last wk on the train with a woman I met through a friend of a friend living up here. She is a community health nurse and is also studying painting, struggling with wanting to be useful and the fact that she loves her job in a women's health clinic but also really wants to just be painting. We laughed somewhat painfully at the paradox of living in a society in which you can easily make money flipping burgers hating every second of it, but to do what you love is often seen as financial suicide. Marvelled at the judgement of people who proclaim that to do art is selfish, to not have children is selfish, to do things that nourish your deepest self is selfish... and yet in this strange time and place there is no similar judgement on greed. To work just for material gain and not share that with others is not selfish - it's being successful. She has a friend who is becoming a nun, and she had to laugh when her dad said of the friend 'isn't that selfish?', at the thought of this person denouncing all material possessions and devoting her life to conscious living: every thought, word and deed carefully observed - even dedicating life to virtue is seen as selfish.

But what was my point? Not sure if I actually had one. Sorry. Self-indulgent rave (as if indulging ourelves is such a terrible thing).

Anyway, time to slip in a quick call to my grandma and get ready for the week ahead.

Pod boy really is very cute. Big wide 'I just got back from OS' eyes. He may be coupled up, hard to tell without very see through questioning. Hoping I don't accidentally ask him out. Possibly not good office etiquette. Think I flirted with him at lunch on Friday - then later was unchatty out of fear of overt over chattiness and nurturing my possible crush. Then again I am finding just about everyone in the office attractive - it's all that integrity, sparkling switched on sustainability brains, competence with macros and databases or pizazzz in social research, cheery friendliness, outdoorsy tans or rare tropical orchid pallor... Maybe I just get my 'wow you rock i really respect you' and 'wow you rock I want to shag you' responses mixed up in my mind. perhaps those synapses are quite close by?



*Virginia Wolf, 1925
** People? Which people? Who are the people whose reactions I second guess and pander to?

Who's playing music where & when

From Stu's much famed gig guide mailouts... email me if you want to sign up and I'll send you his email. Is fortnightlyish I think.


GIGS
----

Adelaide
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MARCH
-----

1st - PRETTY GIRLS MAKE GRAVES, THE GOSSIP at Jive. Tickets about $37.
- FUSE showcase featuring FOURPLAY, LITTLE ICE AGE, PHARAOHS and
others at the East End Exchange.
2nd - LES SAVY FAV, THE HOLD STEADY, THUNDERBIRDS ARE NOW at Jive.
tickets about $37.
4th & 5th - FOURPLAY at the Spiegeltent, 6:30 shows. I expect to go on the
4th.
4th some time after 9pm - HEXSTATIC play at the Persian Garden, in the park next to the Festival centre. Only $5. I'll go there after Fourplay.

Also on the 4th DAVE GRANEY & CLARE MOORE play at 8:30pm in the Spiegeltent.

6th - ED KUEPPER & JEFFREY WEGENER at the Spiegeltent. It's at 10:30pm,
tickets from Fringetix.
14th - PAPA M at The Grace. Should sell out, usually best to get tickets
at the Grace.
16th - DEEPCHILD could be worth checking out at the Persian Garden.
17th - keep forgetting to put this in - TALVIN SINGH is playing a show
for the Festival. I'll give it a miss because I'm already going to
lots of stuff.
31st - THE GIRLS FROM THE CLOUDS at Fowlers. As the name suggests its the
girls from THE CLOUDS, Jodi Phillis and Trish Young.

Sydney
------


March 5 - St Jerome's Laneway Festival at Circular Quay, includes LES SAVY
FAV, PRETTY GIRLS MAKE GRAVES, ART OF FIGHTING, CLARE BOWDITCH &
THE FEEDING SET, GERSEY, AVALANCHES DJs and more. Looks good.

Katoomba
--------

March 11 - LUCKSMITHS at the Clarendon Guesthouse
March 17-19 - Blue Mountains Music Festival of Blues, Roots & Folk
March 31 - DARREN HANLON at the Clarendon Guesthouse.

Tuesday, February 21, 2006

those quotes..

"I've had so many sugar daddies I am almost diabetic"

"I only date guys with cars...borderline...mopeds"

"Do you want to see my wang?" "..Is that a form of martial art?"

"I did feel a bit sorry for her, even though she was my nemesis"

None of them mine I hasten to add!

Monday, February 20, 2006

Home late and..

...covered in ink from my course. Enjoying leftover picnic potato salad for dinner. Loving that my mum did my dishes. Wondering what the golly gee whizz bejeepers to wear to work tomorrow. Feeding my cat corn chips (hey - he asked for them!). Wondering if I should break my blanket ban on stoopid petrochemical face greasers, sorry, cosmetics, and buy wrinkle cream. Loving that my community college students are as in love with printmaking as I am, and all want to quit their days jobs and ink up instead (or at least as well as). Wondering if its wrong that the most exciting thing about the new job so far is the coffee machine and the dead spunky boy who sits in my pod. Really too spunky - I think it could quickly become an occuptaional health and safety issue...

Yesterday lying on the lawn of a park under a big old tree had some great quotable quotes from Sparkle Cowboy - will relay as soon as he reminds me what they were... I do remember something about an abundance of sugar daddies bringing on late onset diabetes, and a fond reminiscence of the text message that said 'I think I broke my toe dropping a bottle of mandarin vodka on it at the gym Christmas Party'. We agreed that he is without a doubt the most Sydney of us all, but Mango Mitsu was declared Paddo worthy after some particularly arch comment,which of course I can't now remember - I blame the rose.

General blog talk in the park(yes, meta narrrative here we go)led to much gentle musing on the revealing or quasi revealing nature of blogs. The Russian dollies of truth. The character drama posing as autobio. The crumb trail to the centre of our beings. I had to confess that at my most blogific (hey mermaidgrrl, there's a puntastic word for us!) when away I was concurrently using 3 blogs and a paper diary. I had to explain that they each had specific roles and functions ie. blogs were handy for emergency yet discrete debriefing while in another country working long hours in a somewhat repressive desk job (watch me type - oh yes just typing very important worky typing things here, nothing to see,move along), two of the blogs were just for me as musing space (the PG rated material, the wafty quotes for handy storage and retrieval, the seeds of stories etc), and the paper diary as my most private and free outpourings and wonderings, messy and colourful and with drawings to boot, in a way that a tidy little public blog just isn't. Could be - but isn't. So yes - blogging? Crafted artiface where we divulge little safe secrets and make ourselves funny and erudite? Write ourselves up as clever wry heros in the stories of our lives? Present random polaroids of our days? POst on the message board to buddies? Explain ourselves to some unseen questioner? Who knows.

Oh crap, look at the time! Bath and bed. For the character of this blog at least.

****

NB News Flash - New Litttle Brittain Series starts this Wed for those of you so inclined. My teve has come out of the closet (literally), at the request of my most recent house guest, even if not reinstated onto mantle piece but now perched lopsided on a chair...

Event plug reminder

DAVE BLOUSTIEN:
ST*RF*CK*R

Fame. Money. Power.
Some have it. Some will do anything to rub up against it.

An hour of vaguely intellectual stand-up comedy from Dave Bloustien, one of the award-winning writers on ABC TV's The Glass House. Catch him now before he whores himself on Celebrity Wheel of Fortune.

Get famous or get out of the way.

March 21-26
@Newtown, Level 3
$17, $15 (concession)
Available through Ticketek

For Mellieborne and Ads dates see Daves website - link is over yonder on the left.

Wednesday, February 15, 2006

Commute

To travel as a commuter.

To make substitution or exchange.
To serve as a substitute.
To pay in gross, usually at a reduced rate, rather than in individual payments.
Mathematics & Logic. To satisfy or engage in a commutative operation.
v.tr.
To substitute (one thing for another); exchange.
To change (a penalty, debt, or payment) to a less severe one.
n.
An act or instance of commuting, especially the trip made by a commuter: a 22-mile commute; an easy commute.

Commute 4ish hours a day from mountains to city to mountains - commute with olive green vinyl seats and the neck lurch of train napping. Commute to and from the office coffee machine. Pondering whether to commute my 5 day working week for a 4 day one. To commute shorter week for longer days. To commute my sentence for a lighter one. Commute my wage with a smaller one. To commute the idea of career for the idea of life's work. To commute to and from the stationary cupboard. To commute security for freedom.

This week is all about commuting.

Sunday, February 12, 2006

wolves and sheep

Valentine's day almost here. I didn't realise quite how many different pagan festivals it is historically linked to. In ancient Rome mid February they celebrated Lupercalia, to celebrate the keeping out of wolves from the city (which was v small and had lots of sheep then). Maybe also in part celebrating the essence of wolfishness, as young men sacrificed goats and dog, whipping young maidens with strips of goat hide in order to help purify them (huh, you beleive everything that a loin clothed blood smeared Roman youth tells you?). Perhaps at this same time, young men pulled out the names of young single women from an urn, and coupled accordingly for the duration of the festival. Now tell me that doesn't beat a heelmark card and a rose with gyp? Later, as in early middleagesish, the same thing happend, but it was a chivalrous coupling of chaste gift exchange, ongoing association and protection rather than wild hillside fornication (and they call that progress?)

In between all this, around 496 AD, Pope Gelasius did away with the festival of Lupercalia, citing that it was pagan and immoral. The lover's lottery was in particular a bit of a no no. Instead, Catholic Church, funsters that they were, introduced a Saints lotto, where you would pull out the name of a saint to research and emulate over the coming year. Woo hoo.

A number of Saint Valentines were tied to the festival at this stage, all fairly obscure, for example possibly one a martyr from early Christianity who was persecuted for preaching and finally put to death for curing a girl from blindness. Allegedly before* he was clubbed to death and then beheaded he wrote the girl a note telling her that he loved her, signing it 'your Valentine'. Not really the stuff of chocolates and red hearts is it - the dying words of a martyred Saint reassuring the person who he was killed for helping that he still lover her (no doubt in a saintly way) and held no grudge. Happy Valentine's day!

Of course the very notion of romantic love was not conjured up until quite recently. The first recorded association of St. Valentine's Day with romantic love was in the 14th century in England and France, where February 14 was traditionally the day on which birds paired off to mate.

* I'm not suggesting that it was likely to be after, just that I read the whole thing on a dodgy website which was hardly a refereed text if you know what I mean. One could with confidence say that 'arguably' he is the Saint on which the whole thing is named.

Tomorrow is my first day at work, btw. New job and all. Feels like I should be putting my name on coloured pencils and covering excercise books with pictures of bands that I like in preparation. Or something. Instead I will be catching the dawnish train and sipping on a coffee out of my travelcup, snoozing, possibly being annoyed by chirrupy school kids flirting and possibly dribbling on a stocky businessman sitting next to me. Feeling glad that I went to a planning session with new work peoplelast week, as now I at least know some names and have met my new *buddy*. Gotta love a workplace that has a buddy system. Also love that what I have seen so far has been exciting, and I am therefore in good spirits about starting. Gotta love:
- Senior management who are adept at the whiteboard,
- Directors who talk about wanting staff to be working on things that excite them,
- Managers who aren't dorks and who you'd be happy to talk to at a party,
- Staff talking earnestly about the finer points of sustainable work places,
- People turning up to a planning day in funky lurexskirt and fishnets, being proud of their work, being honest about mistakes, listening to each other, disagreeing respectfully... and last but not least,
- White wine on the corporate credit card.

The Pod is dead. Long live the Pod.

speaking of poetry

If anyone comes across a copy of either of the Rilke books below I would be most grateful if you could grab me a copy!!

In Praise of Mortality: Selections from Rilke's Duino Elegies and Sonnets to Orpheus, Joanna Macy's and Anita Barrows' 2004 translation (published by Riverhead).

Rilke's Book of Hours: Love Poems to God (Riverhead, 1996, 2006 translated by Joanna Macy with Anita Barrows)

Monday, February 06, 2006

Emily Dickinson 1830 - 1886



...Emily Dickinson scrutinized everything with clear-eyed frankness. Every subject was proper ground for legitimate study, even the sombre facts of death and burial, and the unknown life beyond. She touches these themes sometimes lightly, sometimes almost humorously, more often with weird and peculiar power; but she is never by any chance frivolous or trivial. And while, as one critic has said, she may exhibit toward God "an Emersonian self-possession," it was because she looked upon all life with a candor as unprejudiced as it is rare.

She had tried society and the world, and found them lacking. She was not an invalid, and she lived in seclusion from no love-disappointment. Her life was the normal blossoming of a nature introspective to a high degree, whose best thought could not exist in pretence.

Storm, wind, the wild March sky, sunsets and dawns; the birds and bees, butterflies and flowers of her garden, with a few trusted human friends, were sufficient companionship. The coming of the first robin was a jubilee beyond crowning of monarch or birthday of pope; the first red leaf hurrying through "the altered air," an epoch. Immortality was close about her; and while never morbid or melancholy, she lived in its presence.


MABEL LOOMIS TODD.
AMHERST, MASSACHUSETTS,
August, 1891.


---

The Grass so little has to do –
A Sphere of simple Green –
With only Butterflies to brood
And Bees to entertain –
And stir all day to pretty Tunes
The Breezes fetch along –
And hold the Sunshine in its lap
And bow to everything –


And thread the Dews, all night, like Pearls –
And make itself so fine
A Duchess were too common
For such a noticing –


And even when it dies – to pass
In Odors so divine –
Like Lowly spices, lain to sleep –
Or Spikenards, perishing –


And then, in Sovereign Barns to dwell –
And dream the Days away,
The Grass so little has to do
I wish I were a Hay –


---
THE PREACHER.
HE preached upon "breadth" till it argued him narrow,—
The broad are too broad to define;
And of "truth" until it proclaimed him a liar, —
The truth never flaunted a sign.
Simplicity fled from his counterfeit presence
As gold the pyrites would shun.
What confusion would cover the innocent Jesus
To meet so enabled a man!

---

THE LETTER.
"GOING to him! Happy letter! Tell him —
Tell him the page I did n't write;
Tell him I only said the syntax,
And left the verb and the pronoun out.
Tell him just how the fingers hurried,
Then how they waded, slow, slow, slow;
And then you wished you had eyes in your pages,
So you could see what moved them so.

"Tell him it was n't a practised writer,
You guessed, from the way the sentence toiled;
You could hear the bodice tug, behind you,
As if it held but the might of a child;
You almost pitied it, you, it worked so.
Tell him — No, you may quibble there,
For it would split his heart to know it,
And then you and I were silenter.

"Tell him night finished before we finished,
And the old clock kept neighing 'day!'
And you got sleepy and begged to be ended —
What could it hinder so, to say?
Tell him just how she sealed you, cautious,
But if he ask where you are hid
Until to-morrow, — happy letter!
Gesture, coquette, and shake your head!"

----
This World is not Conclusion.
A Species stands beyond—
Invisible, as Music—
But positive, as Sound—
It beckons, and it baffles—
Philosophy—don't know—
And through a Riddle, at the last—
Sagacity, must go—
To guess it, puzzles scholars—
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown—
Faith slips—and laughs, and rallies—
Blushes, if any see—
Plucks at a twig of Evidence—
And asks a Vane, the way—
Much Gesture, from the Pulpit—
Strong Hallelujahs roll—
Narcotics cannot still the Tooth
That nibbles at the soul—
----
I 'M nobody! Who are you?
Are you nobody, too?
Then there 's a pair of us — don't tell!
They 'd banish us, you know.
How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!

---

More:
A plate from her herbarium! (pictured)
Museum about her - The Emily Dickinson Museum
A book of her poems edited y herfriends after her death
An archive of fragments of her writing - radical scatters

Saturday, February 04, 2006

Acting from the inside out

A while ago a friend came up and stayed, and over a beer or three confessed that he was considering (for the first time ever) *getting work done*. He admitted that he's laughed at friend's botox misadventures, but feels that now maybe with the harsh realities of gravity such as they are, and well the years creeping on, that maybe some *preventative* work might be in order. For some context, this is an attractive young man who in my experience has never had any trouble furnishing his attractively adorned bed with attractive adornments. Apart from wondering how much of this was schtick to get praise and reassurance, I felt quite sad that we would even be wasting our precious limited breath having the conversation. I told him about an interview I'd seen with 'Our Cate' and Andrew Denton where she put him in line mid-gush about how beautiful she was in a particular role, and how much she looked the part, by telling him that she 'acts from the inside out'. I told this to my friend to remind him that sexy is something that comes from an inner furnace fueled by good humour and lust for life and not from alien-tight cheekbones (admittedly I didn't say it quite like that, I wish I had).

I had been meaning to blog about this for a while, and perhaps write some long and drawn out pondering about the nature of beauty (tho kinda feel that's been done before) and our desire for perfection. To mention my delight, for example, at discovering that Patsy Cline (she of the superb up and down tempo lament) had a chipped front tooth. Check any of her albulm sleeves and you'll see what I mean. How stridently confident and self-assured that seems in todays pop star factory climate, to imagine a young woman with some fixable 'imperfection' not getting it fixed for the sake of bland, uniform smiling cover art. Anyway, that's what I meant to write but haven't till now,and only now think of it as an aside because it was something I told someone whilst crossing a road on the way to find somewhere open to have dinner, at Bondi Beach earlier this week.

Went to Bondi for a couple of days and was a bit abashed to realise just how long it had been. There were far less mega-tanned hordes than I had feared. The first time I went there was before I lived here, was back in the mid-late 90's, stayed with friends who had a share place where the bath upstairs had overflowed and run through the floor/ceiling, down the walls. It looked like an industrial complex before demolition, like some dark moldering hole - looked like a typical overprice trashy Sydney sharehouse actuallly, but little did I know that then. My stay this week was worlds apart - a friend housesitting a beachside cottage/adjacent apartments - think two little womble flats that together make a house. I was strangely delighted at the running inside and out factor - who would have thought that having a house in two parts could be so lovely. Was great to be away, to have more time than things to do, to have good company and a good book, to have not remembered to pack hairbrush or cleanser or perfume and not really care. We did some museum and gallery wandering and ate surprisingly good thai food in an old school (sorry, skool, isn't it?) suburban restaurant when most other things were closed for the night. And as much as I love the mountains, isn't there something just so soothing and cleansing about waves and salt and a sky that is the same colour as the water? In the very early mornings and in the evenings there was seaspray that blurred the edges of everything and gave it a moody grey wash. Clean. Not to mention that wonderful constant noise of waves - so much more beautiful than the traffic noise of Stanmore Rd, even if they are almost interchangeable on the cusp of sleep.

-----------

Funny how we all get to know each other in layers, how we can meet people in one scenario and get a glimpse of one aspect of a character, how the interface between people is in flux, how circumstance and mood and habitual behaviours shroud or reveal other elements - glinting in the right light to reveal a fresh new colour, or intriguing depth. A work friend becomes a friend friend, a friend of a friend becomes a friend, a lover becomes a stranger, a partner becomes an old friend, becomes family. And everything in between. It's nice, this movement.

------------

Cicumspect. My Mountain friend with whom I share a love of textile arts and psychology ('lets yarn about jung!' she suggested tonight and I smiled and thought that perhaps this could be the name of some future cafe/woolshop venture ), said that perhaps I was overly circumspect. I like the word because it reminds me of circles. That aside I think she may be right.

Tonight I discovered that no cafes are open past 11.20 on a sat night in my town. Not even for coffee and a break from bad backpacker advances ('so how do you girls know each other?' seems to be the opening line of choice. Far far better than 'we were just having a discussion on the difference between why and how - can you help us figure it out?', an actual question that we received with loud pained looks at the second pub we visited).

------

Today I went to a kids birthday party and arrived late with vegie sausages, funky buns and red wine. Let it be noted that birthday parties for 1 and 3 yo's are possibly the last place on the entire planet that one would ever pick up - everyone has partners and children - derrr, that's why they are there. Us strange old spinster (actually no, I don't spin, just felt, but I dig the idea of spinning) aunties are a dying breed, but a valued part of such events. We are useful for persuading the tired mother of the birthday children to drink more wine, good at standing around near the BBQ and smiling at people's kid stories, being patient with the elderly matriachs who have funny stories about the granddaughters and slightly baffling but well intentioned stories about family trees, and last but not least - helping to finish off the profiteroles. Profiter - ole!

--------------

Extremophile?

From this week's stars as seen in the Weekend Australian thanks to Mystic Medusa: Pisceans really do embody extremophile chic. Not for you the mega-naff path of moderation. You're either on a wild salmon diet, exercising four hours a day and asleep at twilight OR chances are that it's you schlepping home at dawn from a night out pole-dancing. You're either v. Yin or totally Yang. Indifferent or infatuated.
Imagine reading this literallly not five minutes after you have been eating a large chunk of dark chocolate followed by organic porridge with raw sunflower seeds and filtered water for breakfast. After you have just been thinking that somehow contradictions don't feel like contradictions to you. Thinking of how amusing it would be to have a mainstreet dating crawl. Wondering how many months of recent nunnish, illuminated manuscript scribing, early to bed with a bad crime fiction type celibacy it takes to balance out a binge of unrestrained bawdy wenchdom. Not as penance, just for balance. Shagging the greengrocer purely as a zen act of balancing the universe?

Friday, February 03, 2006

Event plug: Activism on trial

Powerhouse Museum, Sydney
Sunday 5 February, 2.00pm, Coles Theatre
This month the audience becomes the jury when activism goes on trial. Dave Burgess and Will Saunders, two high-profile campaigners responsible for painting No War on the Sydney Opera House, will stand before The Honourable Justice Robert McDougall, represented by barrister John Doris, to argue the role of activism in society. Is it a matter of social conscience or just anti-social?
Talks are free with Museum entry
powerhousemuseum.com/freeradicals

Hmmm

My slightly *eccentric* maternal grandmother is on fire with email. She sends more joke emails than I can be bothered to read and some whitebread USA takes on sexual politics that would make your hair curl. I find this very strange and am not sure exactly how to respond. "Nanna, I think your politics stink?"

Friday night up the hill

Am currently listening to Dead Kennedys, drinking red wine and embroidering felt baby booties - let it not be said that I don't have a rich and exciting social life! aaaah pre 30 jitters making me reflect on life stages and listen to lots of 90's music in some kind of strange High Fidelity-esque life recap.

Still the booties are looking ace.

And I still love the DK's even if they are old and skanky.

Others 90's bands (and yes I know that the Dead Kennedys strictly speaking are a 70s/80s band but whatever this is my story) that I am enjoying this week:
PWEI - Pop will eat itself - lovely lovely, how could I have neglected this loosely industrial electro pop for so long?
Stereo MC's - man were these guys having a moment back there. The light must have been so bright it was blinding. Very upbeat spiraling electronic emceed fabulosity with references to forests and oceans. Think Jamiroqui without the hats and with more freestylin'. This also has strange flash back pertinence as I seem to remember being very into 'Elevate your mind' in yr11 and it being played at one of my school formals. Daggy? Yes I realise that.
The Beasties - when I was in early HS I had a much cooler girlfriend who I'd known since PS who was into Kylie and the Beastie Boys. I just couldn't quite figure that out as I was firnly into the Motleys and Bon Jovie (yes I know - who would you be taking investment advice from now??...not me). Anyway, after a while I did come to appreciate the joys of the BB and have several CD's, even if Kylie is sadly missing. The In Sounds from Way Out is one of my faves, speshly coz you wouldn't guess it was them, and because it reminds me of a particular night in the Grand Pacific Blue Room with Mango Mitzu where a wanky investment banker was waxing lyrical about said CD. Whilst we did not stick around to indulge in lines on small tables for long, I did go out and buy the CD on his recommendationand have never looked back. Of course also like the lovely old stuff like Licensed to Ill and Check your Head. Check it.

Thursday, February 02, 2006

and...

I got the job! Cool huh? Found out today and so now am finalising in my head the conditions aspect - as in, what do I want? 35 hours over 4 days a week? 30 hours over 4 days a week? 4 days and one work at home day a week where possible?
What about my cat? Will I commute or crash in someone's spare room mid-week?

So many questions! So exciting!

Good news is that they seem very switched on to life-work balance stuff and on the phone were happy with all the ideas I floated, plus said we can try something and see how it goes and always change it later. Very happy about the idea of working for a place where people think it's cool that you have other interests and commitments, where they have a 'library' complete with couches in the office, where they have a small bicycle fleet for city meetings, where they use only green cleaning products in the office, where they get you to write a professional development plan and budget a decent amount of time and money for each staff member to use on courses or conferences or similar. Liking all of that. Plus links to uni mean all my nerdy dreams of academia can be satiated whilst not actually becoming an academic- yaaah!

So, like, a man walks into a bar...

If that's precisely the kind of joke you don't want to hear, you might like to instead go see one of Dave Bloustien's upcoming gigs. Dave is a fellow-Adelaidian by birth, we went to the same uni together and as well as doing heaps of good stand-up in recent years he has written for TV's The Glasshouse - heck he's even won awards. The only stand up comedian I have seen who not only has a PhD but has found ways to make it funny in his show.

Some Sydney and Melbourne gigs coming up, but if you are in Adelaide in Feb/March you might want to catch his Fringe show and support a local-boy-come-good.

ST*RF*CK*R
Adelaide: Fringe Festival (Bar 273, Rundle St)
Special preview night with Dave Williams & Adam Vincent (tbc)
Previews: Feb 25-26
Fringe season: Feb 28, March 1-5 & 14-19.

Wednesday, February 01, 2006

A bit like icing a still warm cake
you wish you hadn't
but you always do it
and the icing runs, pools.
You feel that pang of
knowing
delayed gratification
has eluded you again
Delayed
delayed gratification.